STEVENSON | News

Artists / Exhibitions


Stevenson is participating in Frieze New York this year with a solo presentation by Portia Zvavahera, running from 14 - 17 May 2015.

Samson Kambalu and Barthélémy Toguo have both been included in All the World's Futures curated by Okwui Enwezor for the 56th Venice Biennale, opening on 9 May and running until 22 November.

Robin Rhode, Jo Ractliffe and Nandipha Mntambo have been selected to participate in What remains is tomorrow, curated by Christopher Till and Jeremy Rose, for the Pavilion of South Africa at the 56th Biennale di Venezia, running from 9 May to 22 November 2015.

Penny Siopis' Time and Again: A Retrospective Exhibition, which first showed at the South African National Gallery, tours to Wits Art Museum in Braamfontein, Johannesburg, from 22 April to 20 July 2015. The survey show is accompanied by a major monograph edited by Gerrit Olivier and published by Wits University Press. Siopis also presents her films in The Unfinished Conversation at Beirut Art Centre until 2 May.
Related press: Sean O'Toole reviews Time and Again for Frieze (No. 169, March 2015); Time and Again reviewed by Melvyn Minnaar in Die Burger (9 Janaury 2015), and in the Mail & Guardian (16 January 2015); Lucinda Jolly reviews Time and Again in The Cape Times (2 February 2015); Anna Stielau reviews for Artthrob (24 February); Ashraf Jamal reviews for Financial Times (15 January)

Edson Chagas is one of three artists shortlisted for the 11th Novo Banco Photo Award; an exhibition by the artists will open at Museu Colecao Berardo, Lisbon, on 17 June, and the winner of the 40 000 euro award will be announced in September. Chagas is included in First Donations, from 24 February to 31 May at Zeitz MOCAA.

Nandipha Mntambo's solo exhibition, Love and its companions, at Andréhn-Schiptjenko, Stockholm, runs from 23 April to 23 May 2015. Mntambo is also showing work in Disguise: Masks and Global African Art, a touring exhibition which runs from 18 June 2015 to 7 September 2015 at the Seattle Art Museum; 18 October 2015 to 13 March 2016 at the Fowler Museum of Cultural History, Los Angeles and from 29 April 2016 to 11 September 2016 at the Brooklyn Museum, New York.

Portia Zvavahera and Kemang Wa Lehulere are included in African Odysseys at Le Brass, Brussels, 3 April to 17 May 2015.

Zander Blom's solo exhibition, New Work, opened at Galerie Hans Mayer, Düsseldorf, Germany, on 10 April, and continues through May 2015.

Guy Tillim is participating in Constructing Worlds: Photography and Architecture in the Modern Age , running from 20 February to 17 May 2015, at ArkDes (Architecture and Design Center) Sleppsholmen, Stockholm, Sweden.

Robin Rhode, Nicholas Hlobo, Meschac Gaba, Portia Zvavahera and Kemang Wa Lehulere are all included in Liberated Subjects: Present Tense at Foundation De 11 Lijnen in Oudenburg, Belgium, from 24 April to 11 July 2015.

Meschac Gaba's work, Lipstick Building (2004), will be on view as part of the exhibition Salon Style in the mezzanine gallery at the Studio Museum in Harlem, New York, which runs from 26 March to 28 June.

Zanele Muholi and Viviane Sassen have both been shortlisted for the 2015 Deutsche Börse Photography Prize, alongside Mikhael Subotzky, Patrick Waterhouse and Nikolai Bakharev. The annual prize of £30 000, established by The Photographers' Gallery, London, rewards a living photographer, of any nationality, for a specific body of work in an exhibition or publication format, which is felt to have significantly contributed to photography in Europe. Muholi was shortlisted for her publication Faces and Phases (Steidl/The Walther Collection), while Sassen was nominated for her exhibition Umbra at the Nederlands Fotomuseum in Rotterdam. The winner will be announced at an award ceremony at The Photographers' Gallery on 28 May 2015.
Related press: Sean O'Hagan, Deutsche Börse 2015 review - shadowy burqas v epic towerblocks (The Guardian, 15 April 2015); Sean O'Hagan on the shortlist (The Guardian, 3 December 2014)

Robin Rhode's first major exhibition in Scandinavia, The Sudden Walk, will exhibit at Kulturhuset Stadsteatern, Stockholm, Sweden, from 14 February to 3 May 2015.

Pieter Hugo is included in I will go there, take me home, curated by Gregory McCartney at MAC Belfast, which runs from 8 May to 26 July 2015, and his solo exhibition Kin is on from 14 January to 26 April at Fondation Henri Cartier Bresson, Paris, and the publication Kin, published by Aperture, 2014, features a short story by Ben Okri and is available from the gallery. See publications.
Related press: 'Pieter Hugo' (Frederica Miller, Artblog Cologne, 4 February 2015); 'Portraits of Reconciliation' (New York Times Magazine, 6 April 2014); In touch with Pieter Hugo's 'Kin' (Greg Nicolson, Daily Maverick, 9 October 2013); Kin reviewed (The Wall Street Journal, 20 September 2013); Sean O'Hagan on Kin (The Guardian, 10 September 2013); Marie-Anne Kleiber on Kin in Le Journal du Dimanche (1 February 2015)

Serge Alain Nitegeka's first museum exhibition in the US Configuration in Black, curated by Alexandra Sachs, opened on 17 February and runs until 29 July 2015, at the SCAD Museum of Art, Georgia. Nitegeka will also present work in Venturing Out of the Heart of Darkness at Harvey B. Gantt Center for African-American Arts + Culture, North Carolina, USA, curated by Rehema Barber. (Opens 7 February)
Related press: Review of Configuration in Black by Brian Boucher for Artnet (10 March 2015)

Odili Donald Odita is participating in Represent: 200 Years of African American Art, a survey show that explores the evolving ways in which African American artists have expressed personal, political, and racial identity, at the Philadelphia Museum of Art (10 January - 5 April 2015). Also in Philadelphia, Odita has been selected for Open Source: Engaging Audiences in Public Space, part of the city's Mural Arts Program, 2015.

Kemang Wa Lehulere has been named the Standard Bank Young Artist for Visual Art 2015, with a solo exhibition opening at the National Arts Festival, Grahamstown, in July 2015 and proceeding to tour the country.
Related press: Sue Blaine's review on To Whom It May Concern, Business Day (29 January 2015); Athi Joja's review on To Whom It May Concern, Mail & Guardian (30 January 2015); Theresa Smith reviews in Cape Argus on 4 February 2015; Melvyn Minnaar reviews in Die Burger (7 February 2015); Art Agenda review by Nancy Dantas (9 February 2015); Ashraf Jamal review for Financial Times (5 February 2015); Lucinda Jolly review for Cape Times (12 February 2015)

Zanele Muholi has a solo exhbition, Zanele Muholi: Isibonelo/Evidence, opening at Brooklyn Museum on 1 May, which runs until 1 November 2015. Her work is currently featured in the Wellcome Collection's exhibition, The Institute of Sexology, in London (until September 2015), and in Paris the Pompidou Centre's recent acquisition of her work is on display within their permament collection exhibition. Muholi is included in Irreverent: A Celebration of Censorship, a group show at the Leslie-Lohman Museum of Gay and Lesbian Art, which runs until 3 May 2015. At New Art Exchange, UK, Muholi is showing work in Residual: traces of the black body, running from 13 March to 7 April 2015 and Muholi will participate in The Lesbian Spring Festival, Toulouse, France. At The Walther Collection, Ulm, Germany, Muholi is included in The Order of Things: Photography from The Walther Collection, running from 17 May to 10 October 2015.
Related press: Muholi's publication, Faces and Phases 2006-14 (Steidl), reviewed in the Mail & Guardian by Same Mdluli (12 December 2014); Leila Dee Dougan interviews Muholi in The Journalist; Muholi's photograph LiTer II, 2012, selected as one of Art History's Greatest Kisses (BBC Online, 13 Februay 2015); Our Heroe's: Zanele Muholi, in LGBTQIA History Month (Regendre, 17 February 2015); Deborah Willis interviews for Aperture Magazine (#218, Spring).

Jo Ractliffe has a solo exhibition, Someone Else's Country, at the Peabody Essex Museum in Salem, Massachusetts (11 October 2014 - 26 April 2015). Her work is included in THEOREM: You Simply Destroy the Image I Always Had of Myself, curated by curator and art critic Octavio Zaya, at Mana Contemporary, New Jersey from 3 May to 1 August, 2015. Ractliffe is also included in Conflict, Time, Photography (previously at Tate Modern, London), at Museum Folkwang, Essen, Germany, from 10 April until 5 July 2015, which travels to Staatliche Kunstsammlungen Dresden from 31 July to 25 October 2015.

Viviane Sassen has been awarded the David Octavius Hill Medal from the German Photography Academy, which will be presented on 25 April 2015, along with the Arts Award of the city of Leinfelden-Echterdingen. Sassen recently exhibited Pikin Slee at the ICA, London, between 3 February and 12 April 2015, and will participate in When I Give I Give Myself, at the Van Gogh Museum, Amsterdam from 19 May 2015 to 17 Jan 2016.
Related press: Review of Analemma: Fashion Photography 1992-2012 by Ashitha Nagesh in Artforum, (January 2015); Interview by Sean O'Hagan (The Guardian, 12 October 2013); 'Double exposure: The two faces of Viviane Sassen's photography' (The Guardian, 1 February 2013); Review of In and Out of Fashion by Annie Goodner (Frieze, 21 January 2013); Pikin Slee reviewed by Bojana Kozarevic in i-D magazine, London (3 February 2015); The Financial Times review of Pikin Slee by Rachel Spence (10 February 2015); Marcel Feil review for Wallpaper (March 2015)

Steven Cohen will perform his work Chandelier at Spotlight South Africa, a three week festival celebrating the best of South African performance at Canadian Stage, Toronto, from 22 - 25 April 2015. At MAC VAL, Val-de-Marne Contemporary Art Museum, France, Cohen will participate in Chercher le garcon, a group exhibition running from 7 March to 30 August 2015, and on Sunday 26 April video documentation of Cohen's Chandelier will screen as part of the debate Urban Places - Public Spaces at the Goethe-Institut, Johannesburg.
Related press: Steven Cohen interviewd by Clémentine Gallot in Libération, France (11 March)

Anton Kannemeyer was included in Africa Now - Political Patterns, at the Seoul Museum of Art, Korea (16 December 2014 - 15 February 2015). Watch Kannemeyer in discussion with Ferial Haffajee, editor of City Press, on Kyknet, discussing issues around free speech after the Cahrlie Hebdo Paris attacks (15 January 2015)

The current exhibition at The New Church Museum, Cape Town - Thinking, Feeling, Head, Heart curated by Marilyn Martin, includes works by Zander Blom, Dineo Seshee Bopape, Wim Botha, Ian Grose, Nicholas Hlobo, Penny Siopis, Serge Alain Nitegeka and Ernest Mancoba. The exhibition runs from 4 December 2014 to 25 April 2015.

Nicholas Hlobo's Balindile II was on display at Centre Pompidou, Paris, as part of A HISTORY (art architecture design, from the 80s to now) until 7 March 2016. A room of Hlobo's work curated by Kerryn Greenberg is part of the exhibition Energy and Process at Tate Modern, London.

Rise and Fall of Apartheid: Photography and the Bureaucracy of Everyday Life, curated by Okwui Enwezor with Rory Bester and including works by Jane Alexander, Jo Ractliffe, Guy Tillim and Sabelo Mlangeni, travels to Museum Africa in Newtown (after previous showings at the ICP, New York, and Haus der Kunst, Munich). The exhibition closes on 30 April 2015.

Between 14 March and 13 September 2015 Zanele Muholi, Sabelo Mlangeni, Anton Kannemeyer, Robin Rhode and Guy Tillim will exhibit in Making Africa. A Continent of Contemporary Design, at Vitra Design Museum, Germany.

Nicholas Hlobo, Guy Tillim, Nandipha Mntambo, Wim Botha, Edson Chagas and Jane Alexander will show together in The Divine Comedy: Heaven, Purgatory, and Hell Revisited by Contemporary African Artists, curated by writer and art critic Simon Njami, at the Smithsonian's National Museum of African Art, Washington, from 8 April to 2 August 2015.