A companion to Monochrome Paintings (2022), this booklet is published on the occasion of Zander Blom's exhibition of new monochrome canvases at Stevenson Cape Town. Once again, images of the works in progress and studio views are accompanied by a text by the artist. He writes:
In the new works the forms can be seductive and joyful yet dark and menacing; they sit on top of the canvas twisting and turning, other times they recede into an abyss where space seems to collapse in on itself. Some compositions feel like portals, others like gilded baroque gates, cages or fences. Some doff their caps to minimalism and futurism while others flirt with the decorative. These pictures are open in the sense that they never settle into recognisable forms, yet they aren’t simply abstract elements arranged to please the eye. They often seem to be tangible ‘things’ or images of events in time and space, perhaps just not from our world. For the most part there is nothing subtle or understated about them. They are not hazy, far away or out of focus. They are sharp and crisp. They announce themselves with confidence, yet what are they? What do they say? What language do they speak? Are they silent or do they scream? Do they even have a sound? Are they moving fast, hurtling through space, or are they perfectly still? I don’t exactly know what they are or mean but they fascinate me. I’m drawn to making them and I like to look at them. What combinations of line, texture and form invoke what kind of emotional response or visual interpretation – and how does our own time, knowledge and experience affect those perceptions? What combination makes an image that is compelling to look at? And why is one thing dead and another alive?
Published by Stevenson | August 2023
Softcover, 52 pages | Unavailable