18 April 2022ArtThrob
'Cortège, Collision, Composure, Ceremony': Nkgopoleng Moloi reviews Shine Shivan and Jane Alexander in Juxtapositions, concluding, 'The magic (in all senses of the word) lies in the image'.
Mint, 29 November 2014'He makes [drawing] playful and loose, without losing the referential depth that the larger themes of the exhibition—mortality, rebirth and after-death—demand' writes Sanjukta Sharman on Shivan's 'open-studio solo', Language of the Deceased.
'He makes [drawing] playful and loose, without losing the referential depth that the larger themes of the exhibition—mortality, rebirth and after-death—demand' writes Sanjukta Sharman on Shivan's 'open-studio solo', Language of the Deceased.
Art in America, 29 March 2010Susan Hapgood writes, 'With his formal ingenuity and charged subject matter, Shivan will be a compelling artist to follow', on the occassion of Sperm Weaver, the artist's first solo exhibition.
Susan Hapgood writes, 'With his formal ingenuity and charged subject matter, Shivan will be a compelling artist to follow', on the occassion of Sperm Weaver, the artist's first solo exhibition.
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