STEVENSON

Zander Blom

December 2016
'Bestial Modernity: The Art of Zander Blom'

Nicola Trezzi contemplates the artist's desire 'to make works that take modernity to its ultimate state, which is, despite its premises, wild, animalistic, primal and instinctive', in his essay for Blom's catalogue raisonné, Paintings Volume II

Sunday Times, 13 March 2022

'That, in a polarised and fragmented social and political context - but one that simultaneously demands social consensus - is paradoxically where Blom’s latest foray into abstraction might find special relevance. The individual, isolated, inward looking moment represented in these works embodies the very tensions between the individual and social that drives cultural change', writes Graham Wood, on Monochrome Paintings

ArtThrob, February 2021

'Composed of three-hundred-and-one parts – some hung on the wall or stacked against it, others laid out across the floor – Zander Blom’s ‘Garage-ism’ offers a manifesto in making,' writes Lucienne Bestall

Art Maze Magazine, August 2019

'Art history has been a kind of hook for me to hang things on. Because it has been such a big part of my life, it feels like home': Zander Blom discusses the shifts and continuities in his practice with Layla Leiman

9 More Weeks , August 2018

'Here be monsters': Zander Blom discusses the development of his painting process and the shift towards figuration in his practice with Sinazo Chiya

Vitamin P3: New Perspectives in Painting, October 2016

Blom's paintings feel schizophrenic - a vibrating vigour withing boldy defined shapes' writes Louisa Elderton

ArtThrob, March 2016

'Dead Men, New Paintings: Zander Blom’s New Paintings' : Review by Roxy Kawitzky